...... Since the beginning, she has explored both the essential nature of her practise and the quality of otherness she recognizes in the painting she creates. Theirs is a confrontation face to face, body to body, in a shared time and space. In recent series, a new alternating dynamic has affirmed itself in four acts so to speak: 1) the artist’s decision-making 2) the time belonging to the painting, 3) the artists’s decision-making, 4) the time and action of the painting….. >>>
By Ann Hindry, Fondation Renault, Paris 2010